This Week in Country Music History: September 28–October 4 — Elvis Plays the Opry Once, Patsy Cline Signs Her First Deal, and Willie Nelson Enters the Hall of Fame

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Sixteen stories, seven days. The stretch from September 28 through October 4 doesn’t look like much on a calendar, but country music keeps coming back to it. A singing cowboy is born here and dies here, ninety-one years apart. A nineteen-year-old named Elvis Presley gets exactly one song on the Grand Ole Opry. Patsy Cline signs the first record contract of her life, and it takes her years to outgrow it.

There are Hall of Fame nights for Willie Nelson and George Jones, a Bakersfield songwriter Merle Haggard wrote a song about, a rodeo champion who sold his albums out of a pickup, and two anniversaries of loss that still feel close. As always, every date here is checked, and where the record is shaky, we’ll say so.

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Tommy Collins Wrote Hits for Merle Haggard — Then Merle Wrote a Song About Him

Leonard Raymond Sipes was born September 28, 1930, in Bethany, Oklahoma, and country music came to know him as Tommy Collins. If the name doesn’t ring out the way Buck Owens or Merle Haggard does, that’s part of the story. Collins helped build the Bakersfield Sound in the 1950s, scoring his own run of hits with “It Tickles” and “Whatcha Gonna Do Now” while writing songs other singers would ride for decades.

His “If You Ain’t Lovin’ (You Ain’t Livin’)” went Top 10 for Faron Young in 1954 and then, thirty-four years later, hit No. 1 for George Strait. (Strait cut his version at Nashville’s Sound Stage on September 30, 1987, another date that lands right in this week.) By late 1963, Buck Owens thought enough of Collins’ catalog to release a whole album of it, Buck Owens Sings Tommy Collins, which went to No. 1 on Billboard’s country albums chart in January 1964.

Collins stepped away for several years to go into the ministry, came back with “If You Can’t Bite, Don’t Growl” in 1965, and in the 1970s handed Merle Haggard two No. 1 songs, “Carolyn” and “The Roots of My Raising.” Haggard returned the favor in June 1980 by recording “Leonard,” a biographical tribute that used the name Collins was born with. Not many songwriters get a song written about them by the man who sang their hits. Collins entered the Nashville Songwriters Hall of Fame in 1999 and died March 14, 2000, at his home in Ashland City, Tennessee.

“Ropin’ the Wind” Did Something No Country Album Had Ever Done

A small-town Oklahoma record store in September 1991 with a hand-lettered sign announcing a new Garth Brooks album
Ropin’ the Wind debuted at No. 1 on the Billboard 200 on the chart dated September 28, 1991. Historical recreation.

The Billboard album charts dated September 28, 1991, carried news that would have sounded far-fetched a decade earlier. Garth Brooks’ third album, Ropin’ the Wind, released September 2, debuted at No. 1 on both the all-genre Billboard 200 and the Top Country Albums chart. According to AllMusic, it was the first country album ever to debut at the top of the Billboard 200.

It wasn’t a one-week wonder, either. The album had four separate runs at No. 1 between that September chart and April 1992, spent 18 weeks at the top in all, and was certified 14 times platinum by the RIAA in 1998. The last country singer to top both charts before Brooks had been Kenny Rogers, a little more than ten years earlier.

Whatever you think of Garth’s place in the story, and we’ve argued that one out in these pages, the chart history isn’t up for debate. September 1991 was the week a Nashville record beat everybody on the same list, rock and pop included.


Also on Classic Country TV: The full story of the night a Garth Brooks album conquered the Billboard 200, and what it meant for Nashville.

The Night a Country Album by Garth Brooks Conquered the Billboard 200


Two Years Ago This Week, Kris Kristofferson Went Home

September 28, 2024, is recent history by this series’ usual standards, since we mostly keep our eyes on 1900 to 2000. Some anniversaries don’t wait for the calendar to catch up. Kris Kristofferson died that day at his home in Hana, Hawaii, at 88. His family didn’t give a cause of death. He had announced his retirement three years earlier.

The outline of his life still reads like a dare. A Rhodes Scholar at Oxford. An Army helicopter pilot who walked away from the service in 1965 to move his family to Nashville and write songs, then took a janitor’s job at Columbia Records to be near the sessions. The most widely told story has him landing a helicopter on Johnny Cash’s property to get his songs heard. However it happened, the songs got heard: “Me and Bobby McGee,” “For the Good Times,” “Sunday Mornin’ Comin’ Down,” “Help Me Make It Through the Night.”

He joined the Country Music Hall of Fame in 2004, rode with Cash, Willie Nelson, and Waylon Jennings in the Highwaymen, and wrote the kind of lines that made Nashville’s professional songwriters rethink what a country lyric was allowed to say. Two years on, those songs are doing what he built them to do. They’re still being sung by people who never met him.


Also on Classic Country TV: Rhodes Scholar, outlaw prophet, and the songwriter who changed what a country song could say.

Kris Kristofferson: Rhodes Scholar, Outlaw Prophet, and the Man Who Changed Country Music Forever


Gene Autry’s Story Begins and Ends in This Same Week

Gene Autry was born September 29, 1907, near Tioga in Grayson County, Texas, the grandson of a Baptist preacher. He died October 2, 1998, at his home in Studio City, California. Ninety-one years and three days fit between those two dates, and very few careers in American entertainment filled their years more completely.

The version Autry fans know by heart starts at a railroad telegraph desk. Working nights for the St. Louis–San Francisco Railway in Chelsea, Oklahoma, Autry passed the lonely hours singing with his guitar, and the most widely told account holds that humorist Will Rogers heard him and told him to take it seriously. His first hit came in 1932 with “That Silver-Haired Daddy of Mine,” a duet with fellow railroad man Jimmy Long, and it is often cited as the first record ever certified gold.

From there he became the Singing Cowboy: close to 100 films, more than 600 records, a CBS radio show called Gene Autry’s Melody Ranch that ran from 1940 to 1956, and a theme song, Ray Whitley’s “Back in the Saddle Again,” that followed him the rest of his life. He flew transport planes over the Himalayas during World War II. He owned the California Angels from their founding in 1961 until 1997. He debuted “Rudolph, the Red-Nosed Reindeer” and “Here Comes Santa Claus,” which means he’s on the radio every December whether anybody planned it or not.

He’s also the only person with stars in all five of the original categories on the Hollywood Walk of Fame, and he entered the Country Music Hall of Fame in 1969. Hold onto that September 29 birthday. It comes back around a few entries down.

Jerry Lee Lewis Went Country and Stayed a Wild Card

Jerry Lee Lewis was born September 29, 1935, in Ferriday, Louisiana, to a farming family poor enough that his parents mortgaged the farm to buy him a piano. He learned alongside two cousins who found their own kinds of fame: Mickey Gilley and the televangelist Jimmy Swaggart.

The rock and roll half of his story is famous, from his November 1956 Sun audition, a cover of Ray Price’s “Crazy Arms,” to “Whole Lotta Shakin’ Goin’ On,” “Great Balls of Fire,” and the scandal over his marriage to his 13-year-old cousin that collapsed it all in 1958. The country half deserves equal billing. In 1968, with his Smash Records deal going nowhere, Lewis cut Jerry Chesnut’s “Another Place, Another Time” in Nashville. It went to No. 4 on the country chart, and what followed was a decade of country hits nobody predicted, including No. 1s like “To Make Love Sweeter for You” and his version of Kris Kristofferson’s “Me and Bobby McGee.”

September 29 also marks the darker side of the Killer legend. On his 41st birthday in 1976, Lewis fired a .357 Magnum inside his home. The most widely cited account is that he was aiming at a Coke bottle; the bullet ricocheted and struck his bass player, Butch Owens, in the chest. Owens survived. Lewis was elected to the Country Music Hall of Fame in 2022, with his induction set for that October, and he died on October 28, 2022.

Keith Whitley’s First Chart Record Was Easy to Miss

According to the 96.3 The Possum country music calendar, Keith Whitley made his debut on the Billboard country chart on September 29, 1984. The song was “Turn Me to Love,” written by Wayland Holyfield and Norro Wilson. Some calendars list it as “Turn Me On to Love,” but the RCA release carries the shorter title. It came off A Hard Act to Follow, a six-song EP RCA issued that September, and it stalled well outside the Top 50.

That modest start is worth remembering because of where Whitley came from and where he went. He grew up in Sandy Hook, Kentucky, joined Ralph Stanley’s Clinch Mountain Boys as a teenager alongside his friend Ricky Skaggs, and became one of the finest lead singers bluegrass ever had. Nashville didn’t quite know what to do with that voice at first. Four years later it did: “Don’t Close Your Eyes,” “When You Say Nothing at All,” and “I’m No Stranger to the Rain” all went to No. 1 across 1988 and early 1989.

He died May 9, 1989, at 34, weeks before a scheduled Opry appearance where he was expected to be invited to join. In October 2023, the Opry announced his name would be added to the plaque in its backstage Member Gallery.

Watch on Classic Country TV: The song Keith Whitley recorded first, before Randy Travis turned it into a No. 1 hit.

Willie Nelson Entered the Hall of Fame and Led a Birthday Song for Gene Autry

The audience at the Grand Ole Opry House standing as Willie Nelson is inducted into the Country Music Hall of Fame in 1993
Willie Nelson entered the Country Music Hall of Fame on September 29, 1993. Historical recreation.

On Wednesday night, September 29, 1993, during the 27th annual CMA Awards at the Grand Ole Opry House, Willie Nelson was inducted into the Country Music Hall of Fame. UPI reported that he was the 54th member since the Hall’s founding in 1961, and he was the lone inductee that year. Johnny Cash spoke for him, and so did Kris Kristofferson and the actor Rip Torn, with Cash pointing past the songs to the Farm Aid concerts that had raised millions for American farmers.

Nelson, 60 at the time, accepted with a joke about taking an award plenty of other people deserved just as much, and then he did something that ties this whole week together. He led the Opry House in singing “Happy Birthday” to Gene Autry, who turned 86 that same night.

It was a good year for Nelson to get that kind of welcome. He had spent the early 1990s digging out from an IRS claim of $32 million, and in 1992 he released The IRS Tapes: Who’ll Buy My Memories? with the profits headed straight to the government. A year later, Nashville put his name on the wall.


Also on Classic Country TV: The whole Willie Nelson story, from Abbott, Texas, to the outlaw years and beyond.

Willie Nelson: The Outlaw Who Rewrote Country Music


The Day Nashville Got Television — and a Claim That Needs Checking

At 1:10 in the afternoon on Saturday, September 30, 1950, WSM-TV went on the air as Nashville’s first television station. It happened on the last possible day. With the FCC about to freeze new station approvals, WSM, owned by the same National Life and Accident Insurance Company that had built the Grand Ole Opry into a national institution, raced the deadline and beat it.

Several country music calendars, the Possum’s among them, list September 30, 1950, as the first time the Grand Ole Opry was televised. We couldn’t find contemporary documentation of an Opry broadcast on that first day, and Wikipedia flags the same claim as unsourced, so we’re treating it as unconfirmed. What is documented is that the Opry’s first regular network television run came five years later, when ABC-TV aired a live, hour-long monthly version beginning October 15, 1955.

Either way, the station that signed on that Saturday changed how Middle Tennessee met country music. For twenty-five years, the Opry had been something you heard. Now it was on its way to being something you could watch.

Patsy Cline Signed Her First Record Deal — and Spent Years Outgrowing It

A 1954 recording contract on Four Star Records letterhead lying on a kitchen table beside a fountain pen
Patsy Cline signed with 4 Star Records on September 30, 1954. Historical recreation.

On September 30, 1954, a 22-year-old singer from Winchester, Virginia, signed her first recording contract. Patsy Cline had been working the local circuit with bandleader Bill Peer, whose demo tapes of her voice found their way to Bill McCall, president of 4 Star Records. The two-year deal carried three signatures: Cline’s, Peer’s, and her husband Gerald Cline’s.

On paper it was a break. In practice it became one of country music’s great cautionary tales. The most widely cited account holds that McCall’s contract tied Cline to songs 4 Star controlled, and the early records show the strain. Her first session, in Nashville on January 5, 1955, used songs handpicked by McCall and Paul Cohen. Her first single, “A Church, a Courtroom, Then Goodbye,” went nowhere even with an Opry appearance to promote it, and her four 4 Star singles from 1955 and 1956 all missed.

There was one lucky break buried in the deal. Because 4 Star leased its recordings to Decca, Owen Bradley produced those sessions, the start of a partnership that carried into everything that came later. “Walkin’ After Midnight” finally broke through after her appearance on Arthur Godfrey’s Talent Scouts in January 1957, reaching No. 2 country and No. 12 pop. It wasn’t until she moved to Decca outright in 1960 that the Patsy Cline most people know, the one who sang “I Fall to Pieces” and “Crazy,” fully arrived.

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Marty Stuart Was Playing in Lester Flatt’s Band at 13

Marty Stuart was born September 30, 1958, in Philadelphia, Mississippi, and he didn’t waste much time. By 12 he was playing with a gospel group called the Sullivans. By 13, after mandolinist Roland White invited him to sit in at a 1972 Lester Flatt show in Delaware, he was a regular member of Flatt’s band, and he stayed until Flatt retired in 1978.

Then came Vassar Clements and Doc Watson, a spot in Johnny Cash’s road band starting in 1980, and a 1985 session where he played on the Class of ’55 album alongside Cash, Carl Perkins, Roy Orbison, and Jerry Lee Lewis. His solo run caught fire with “Hillbilly Rock” in 1990, and he married Opry star Connie Smith in 1997.

These days Stuart is a Country Music Hall of Fame member, the founder of the Congress of Country Music in his hometown, and one of the genre’s most devoted keepers of its artifacts. A fall on the ice this past February left him with a hairline fracture in his hand and some postponed shows, but he’s been back on the road with his Fabulous Superlatives through 2026. He turns 68 this week. Keep an eye out for him in the next entry, too. He spent his 34th birthday on a CMA stage.

George Jones Got the Call to the Hall on Live Television

The 26th annual CMA Awards, held Wednesday, September 30, 1992, at the Grand Ole Opry House, put George Jones in the Country Music Hall of Fame. Randy Travis presented the induction. BMI’s Frances Preston, who had opened the organization’s Nashville office in 1958 and spent decades building the city’s songwriting business behind the scenes, went in the same night, presented by Vince Gill.

Jones also performed “I Don’t Need Your Rockin’ Chair” that night with a stage full of younger singers who’d grown up on him: Vince Gill, Mark Chesnutt, Joe Diffie, Alan Jackson, Marty Stuart, Pam Tillis, T. Graham Brown, Patty Loveless, and Clint Black. That’s Marty Stuart spending his 34th birthday backing up the Possum. The song, a flat refusal to be put out to pasture, won Vocal Event of the Year at the CMAs a year later.

By 1992, Jones had already lived through the “No Show Jones” years and come back with “He Stopped Loving Her Today.” Plenty of fans felt the honor was overdue. It still seems right that it came on a night when the next generation was standing right behind him.


Also on Classic Country TV: The story behind the song that brought George Jones all the way back.

The Story Behind “He Stopped Loving Her Today” by George Jones


Bonnie Owens Married Two Bakersfield Legends and Sang Harmony for One of Them for Years

Bonnie Campbell was born October 1, 1929, in Blanchard, Oklahoma, the same state that gave the world Tommy Collins, and part of the same westward pipeline that fed so much talent to Bakersfield. Country fans knew her as Bonnie Owens, the name she kept from her first marriage, to Buck Owens.

Her own recording career started in 1953 with “A Dear John Letter,” a duet with Fuzzy Owen, and ran through a string of singles on small labels, including Tally, the Bakersfield label that also released Merle Haggard’s earliest records. In 1965 she and Haggard recorded the duet “Just Between the Two of Us.” That same year they married, and the Academy of Country Music named her Female Vocalist of the Year.

What she did next is the part that tends to get overlooked. Owens largely set her solo career aside to help raise Haggard’s children and to sing harmony with the Strangers on the road. When she and Haggard divorced in 1978, she took a short break and then went right back out on tour with him. For years, that harmony voice behind Merle Haggard belonged to Bonnie Owens. She died April 24, 2006, at 76.


Also on Classic Country TV: The hard road and the honest songs of the man Bonnie Owens sang beside.

Merle Haggard: The Hard Road, the Honest Songs, the Sound That Wouldn’t Bend


Chris LeDoux Sold His Albums Out of a Pickup Until Garth Brooks Sang His Name

Chris LeDoux was born October 2, 1948, in Biloxi, Mississippi, but Wyoming is what made him. He won the state high school bareback riding title twice, rode his way to a rodeo scholarship, and turned pro in 1970. To pay for the road, he started writing songs about it, recording them in a friend’s basement and selling the tapes out of the back of his pickup at rodeos.

In 1976 he won the world bareback riding championship at the National Finals Rodeo in Oklahoma City, which gave his cowboy songs a credential nobody in Nashville could fake. He retired from competition in 1980, settled on a ranch in Kaycee, Wyoming, and kept recording on his own label. By 1982 he’d sold more than 250,000 albums with next to no marketing, and by the end of the decade he had self-released 22 of them.

Then, in 1989, Garth Brooks mentioned him by name in “Much Too Young (To Feel This Damn Old),” and the phone started ringing. LeDoux signed with Liberty, and his 1992 duet with Brooks, “Whatcha Gonna Do with a Cowboy,” went to No. 7, his only Top 10 single. In concert he’d close it by thanking Garth. He died March 9, 2005.


Also on Classic Country TV: The cowboy who let his guard down, and the love song that showed it.

The Cowboy Who Let His Guard Down: The Story Behind Chris LeDoux’s “Look at You Girl”


Elvis Presley Got One Song at the Opry and Never Came Back

A 19-year-old Elvis Presley backstage at the Ryman Auditorium with Scotty Moore and Bill Black in October 1954
Elvis Presley made his only Grand Ole Opry appearance on October 2, 1954. Historical recreation.

On Saturday night, October 2, 1954, a 19-year-old Elvis Presley walked onto the stage of the Ryman Auditorium with Scotty Moore and Bill Black. Sam Phillips had pushed for the booking, hoping the Opry would speed things up for his new Sun act. They got one song, in the 10:15 segment hosted by Hank Snow, who reportedly blanked on the kid’s name and introduced him simply as a young man from Memphis.

The song was “Blue Moon of Kentucky,” Bill Monroe’s bluegrass waltz, which Presley and his trio had turned into a rhythm-heavy rockabilly number on the B-side of his first Sun single. In the house where Monroe was royalty, it landed politely and no better. Moore later remembered a courteous crowd that simply didn’t know what to make of it.

What happened backstage is still argued over. In Presley’s telling, Opry talent manager Jim Denny advised him to go back to driving a truck. Nobody else seems to have heard it, and people who knew Denny denied he ever said it. What isn’t disputed is that Presley never played the Opry again. Two weeks later he was on the Louisiana Hayride, which signed him for a year of Saturday nights, and the rest of that story needs no retelling.


Also on Classic Country TV: The full story of Elvis Presley’s one night on the Opry stage, and why Nashville sent him home.

The Night Elvis Played the Grand Ole Opry — And Nashville Told Him to Go Home


Tammy Wynette’s 1978 Abduction Story Has Never Been Settled

On October 4, 1978, Tammy Wynette reported that she had been abducted from the parking lot of the Cain-Sloan department store in Nashville’s Green Hills neighborhood. She had been shopping for a birthday present for her daughter Georgette. By Wynette’s account, given to People magazine a few weeks later, a masked man was waiting in the back seat of her unlocked car. He forced her to drive at gunpoint, beat her, and choked her with a pair of pantyhose before leaving her far from Nashville and escaping in another car. Reports at the time described a fractured cheekbone and heavy bruising.

Police called the case puzzling. No suspect was ever named or arrested.

The story took a different turn after Wynette’s death in 1998. In a 2000 book, her daughter Jackie Daly wrote that the abduction had been invented to explain injuries from George Richey, the songwriter and producer Wynette had married that July. Georgette Jones repeated the claim in her own 2011 memoir. Richey, who died in 2010, called the abuse allegations preposterous when they surfaced. Neither version has ever been proven, and we won’t pretend to settle what the record hasn’t. What’s documented is a frightening night, a woman who called it the most terrifying experience of her life, and questions that outlived everyone at the center of them.

Watch on Classic Country TV: How nobody in Nashville wanted “D-I-V-O-R-C-E” until Tammy Wynette heard her own life in it.

Loretta Lynn’s Last Morning at Hurricane Mills

Loretta Lynn seated at a dressing room mirror in the 1970s
Loretta Lynn died October 4, 2022, at her home in Hurricane Mills, Tennessee. Historical recreation.

Loretta Lynn died in her sleep on the morning of Tuesday, October 4, 2022, at her home in Hurricane Mills, Tennessee. She was 90. Her family shared the news plainly, asked for privacy, and three days later laid her to rest in the family cemetery on the ranch, beside Oliver “Doolittle” Lynn, her husband of nearly fifty years.

Readers who were with us last week marked the anniversary of her 1962 Grand Ole Opry induction, so this is the other end of that road. In between came more than fifty Top 10 hits, from “Coal Miner’s Daughter” to “Fist City” to “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind),” the first CMA Entertainer of the Year award ever given to a woman, a Country Music Hall of Fame induction in 1988, and a late-career revival with Jack White on the Grammy-winning Van Lear Rose.

She sang about her own life and about the women in the clubs and the hollers who heard themselves in her songs. That was never a small thing in Nashville. Four years on, it still isn’t.


Also on Classic Country TV: How a coal miner’s daughter from Butcher Hollow talked back to Nashville, and won.

Loretta Lynn: The Voice That Challenged Nashville


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Why This Week Still Matters

Line these sixteen stories up and a pattern shows. So many of them are about doors. The one WSM opened to television. The one the Opry closed on a teenager from Memphis. The contract Patsy Cline signed that took her years to get past. The Hall of Fame doors that opened for Willie Nelson and George Jones while a younger generation watched from the wings.

And a good number of the people who matter most here, Tommy Collins, Bonnie Owens, Frances Preston, spent their careers making other people’s records better. Country music has always been built that way, by the stars and by the folks standing just off to the side of them. These stories deserve to be remembered, and that’s exactly why we’re here.

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Sources

Frequently Asked Questions

What is This Week in Country Music History?

It’s a weekly Classic Country TV Journal series covering verified country music events tied to a single calendar week, from birthdays and deaths to recording sessions, chart milestones, and Hall of Fame nights.

When did Elvis Presley play the Grand Ole Opry?

Elvis Presley made his only Grand Ole Opry appearance on October 2, 1954, at the Ryman Auditorium, performing “Blue Moon of Kentucky” with Scotty Moore and Bill Black. He never returned to the Opry stage.

When did Patsy Cline sign her first record contract?

Patsy Cline signed a two-year recording contract with Bill McCall’s 4 Star Records on September 30, 1954. Her first session followed in Nashville on January 5, 1955.

When was Willie Nelson inducted into the Country Music Hall of Fame?

Willie Nelson was inducted on September 29, 1993, during the 27th annual CMA Awards at the Grand Ole Opry House in Nashville. He was the only inductee that year.

When was Gene Autry born, and when did he die?

Gene Autry was born September 29, 1907, near Tioga, Texas, and died October 2, 1998, in Studio City, California, at 91. He entered the Country Music Hall of Fame in 1969.

When was George Jones inducted into the Country Music Hall of Fame?

George Jones was inducted on September 30, 1992, during the 26th annual CMA Awards at the Grand Ole Opry House. Randy Travis presented the honor.

What happened to Tammy Wynette in October 1978?

On October 4, 1978, Tammy Wynette reported being abducted from a Nashville department store parking lot and beaten by a masked man. No suspect was ever identified, and her daughters later claimed the story covered up abuse, a claim George Richey denied. It remains unresolved.

When did Loretta Lynn die?

Loretta Lynn died in her sleep on October 4, 2022, at her home in Hurricane Mills, Tennessee. She was 90.

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